Live Sound Challenges:Problem solving during a live show while staying invisible and professional: Working in high end corporate A/V has stressed this a lot. The client may not care as much about sound quality as others but the attitude, and appearance or lack thereof is critical. How did the show go
Having a good mix in a technical AND artistic sense
If it's music, know how the instruments and songs/music should sound: Rock, R&B, Hip Hop, classical, it's not all the same. Certain instruments are bigger players in certain music and certain audiences like a certain mix. Some just gotta feel that bass and kick whereas some prefer the clarity of a guitar or violin. I've learned that if you become an audience member, your instincts will often lead you in the right direction. This has been making me think more about how not every client, audience or platform are the same, especially nowadays, not everyone is watching videos on a big screen or TV; I'm looking at you mobile devices and your varying dynamically narrow speakers!
It's LIVE. There's no "We'll fix it in post": This is it. What you hear is what you get. If something goes wrong, keeping it smooth is part of the job. I have a lot of respect for live sound engineers. Multitasking, tuning people out and making it all seem intentional becomes 2nd nature.
Mixing a lot more tracks: Also having a much larger backend. The Routing can get pretty crazy. Thank you for CAT5 and Duggan automix. But honestly, not sure it competes with mixing 6+ tracks in the field while booming and no line of sight of some talent.
Deal with speakers and feedback: Very unique challenge and frustrates me when I have to compromise sound quality for it. Again, different priorities. This is sound REINFORCEMENT really. Not only does the audience need to hear but so does the band who's holding microphones... right in front of monitor speakers... just feet away pointed right at them...
Equalization / make bad sound sound good: Watch this 1 minute video below, you'll see what I mean, and maybe laugh a bit
Sound for Video Challenges:
|RF Coordination at NBA Draft event was critical|
Getting broadcast quality sound: Mic placement is the most important part of my job. Clean reliable sound is critical and the best equipment is necessary. In live sound, some people love DISTORTED!!! sound, whereas we expect technically perfect sound when watching a TV show or movie. But EQing in live sound has made me understand the quality of sound and voice a lot better from a scientific perspective.
Working around the visuals: "Boom's in the shot!" Boy, do I not miss hearing that. Or, "Can we shut off the loud generator that's powering the lights, fog machine, and noisy camera? My mics are picking it up" "No! Figure it out! Get perfect sound and don't bother me!" Being a sound mixer for video, sound is seen as one of the last pieces of the machine, almost an afterthought, despite being arguably the most important part.
Having a smaller team / no team: Depending on the job, I usually work alone in sound department. I've never worked alone in live sound or A/V and the sound team and visuals team are really all the same team in A/V and are expected to do both jobs. It was a bit of a culture shock at first.
Being mobile with a boom pole: I can't exactly wear a suit and tie or be out of shape. 12 hour days wearing 20+ lbs of gear and carrying 50-70 lbs through mud requires MERELLS! Buy Merrell boots and let's get outside. Crush your limits ; ) www.merrell.com
Working in a different uncontrollable location every day: Unwanted sounds such as neighbors, traffic, construction, poor acoustics, thin walls, A/C, plumbing, etc. are a major issue along with competing wireless frequencies and I'm not given a tech scout on hardly any jobs. It's not my "house" and here in NYC an FCC license won't actually do anything useful. In sound for video, I am always in different locations every day and have no control over the location or surrounding location's wireless field. Therefore, I must learn and use every possible trick to getting a clean wireless signal, whether it's using the best gear, or using science to my advantage.
|Coordinating 14+ wireless mics is|
living on the edge